Hanns Eisler lived from 1898 until 1962. He was a composer, born in Leipzig, Germany. He studied under Schoenberg at the Vienna Conservatory (1919--23). A committed Marxist, he wrote political songs, choruses, and theatre music, often in collaboration with Brecht. From 1933 he worked in Paris, London, and Copenhagen, and moved to Hollywood in 1938, teaching and writing film music. Denounced in the McCarthy anti-Communist trials, he returned to Europe in 1948. He settled in East Germany in 1952, composing popular songs and organizing workers' choirs. He wrote about 600 songs and choruses, and music for over 40 films and for nearly 40 plays.

Edward Elgar lived from 1857 until 1934. He was a British composer whose works in the late 19th century orchestral style brought a Renaissance of English music.

His Pomp and Circumstance, usually heard at graduations, was featured in Fantasia 2000.

Duke Ellington (1899 to 1974) was a composer, bandleader, and pianist. He was born Edward Kennedy Ellington in Washington, D.C.

From an early age, the handsome, sharply dressed teenager (that’s where he got the nickname, Duke) was headed for success. At first it was art. He won a poster-design contest and an art scholarship, left school and started a sign-painting business. But it was his natural piano-playing ability that attracted the young women, so Duke Ellington headed in that direction. He developed his keyboard skills by listening to local black ragtime pianists; he composed his first piece, Soda Fountain Rag, around 1915. A successful professional musician by the early 1920s, he left Washington in the spring of 1923 for New York, which was his home base for the rest of his life. Between December 1927 and 1931 his orchestra held forth at Harlem's Cotton Club, where regular radio broadcasts, together with an active recording schedule, helped him establish a nationwide reputation. Take the "A" Train was his "signature song".

In such compositions as Black and Tan Fantasy (1927), Mood Indigo (1930), Solitude (1934), and Echoes of Harlem (1935), Ellington emerged as a distinctive composer for his ensemble, employing the rhythms, harmonies, and tone colors of jazz to create pieces that vividly captured aspects of the African-American experience. At the same time, he sought to broaden jazz's expressive range and formal boundaries in such extended works as Reminiscing in Tempo (1935), Black, Brown, and Beige (1943), and Harlem (1951).

An essential feature of Ellington's composing method was to write with specific instrumentalists in mind, often drawing them into the creative process by building entire pieces out of their musical ideas.

He wrote scores for big band pieces, film scores, operas, ballets, Broadway shows, gospel music, musicals, films, television, and ballet and in the 1960s produced a series of sacred concerts combining his orchestra, choirs, vocalists, and dancers. He would work with each section of his orchestra as an entity unto its own and then bring them together to create the unique sounds such as, Mood Indigo. Over 1,000 musical pieces are credited to the great Duke Ellington. James Lincoln Collier studied the Duke and his Orchestra, comparing Duke Ellington to a "master chef who plans the menus, trains the assistants, supervises them, tastes everything, adjusts the spices ... and in the end we credit him with the result."

Ellington was successful, as few others have been, in reconciling the practical function of a popular entertainer with the artistic aspirations of a serious composer. His rich legacy consists of hundreds of recordings, his many pieces that have entered the standard repertory, and his musical materials now preserved in the Duke Ellington Collection at the Smithsonian Institution. There is a statue of Duke Ellington in New York.